Published October 4, 2024
On September 25th, a distinguished panel of architects, landscape architects, urban planners, and environmental designers joined Dean Julia Czerniak at the School of Architecture and Planning for “FAUNA: Designing for More Than Human Worlds.” This symposium focused on how these academics and professionals are rethinking their design practices to include non-human species, particularly animals, with the aim to broaden the understanding of how these fields can contribute to human-animal-centered design within the context of the climate crisis.
Each panelist was invited to discuss a past project—sharing the process, from design challenges to site considerations and community involvement, and reflecting on the strategies implemented for designing environments that accommodate both humans and animals.
After Dean Czerniak’s setting of the disciplinary framework, Ariane Lourie Harrison, PhD, AIA, principal and co-founder of Harrison Atelier (HAT) and a registered architect in New York State, was the first panelist to showcase the concepts and realities of making architecture for multiple species. Ariane examined the project “Pollinators Arch,” sharing how holes, although tiny scale, are a way into a much broader and textured way to design for a biodiverse city. “Holes are something I like,” Ariane said, “I am somewhat obsessed with them. It’s a profound making of the surface; a living fabric with ecological benefits. If we take something like vermiculated or honeycomb treatments of stone surface, those refer to traces made by animals… architecture retains the idea of its surfaces being inhabited by other species.” Reflecting on the performance of the project, Ariane concluded that cities can be a part of the solution for sustaining species.
For nearly two decades, Joyce Hwang, professor and director of graduate studies of Architecture at the University at Buffalo, has been developing a series of projects that incorporate wildlife habitats into constructed environments. Her presentation focused on The Pollinator Lounge, an installation and program series at the Brooklyn Botanic Garden created in collaboration with students from the School. Utilizing habitat boxes painted with UV paint that draws attention to bird and insect vision, the “homes” are designed to highlight two realities visually—one for humans and one for animals. The exhibit seeks to shed light on the connections between plants and pollinators, underlying the latter's essentiality and calling on New Yorkers to protect them.
Mitchell Joachim, PhD, Assoc. AIA (BPS '94) is the co-Founder of Terreform ONE and professor of practice at NYU. Passionate about design against extinction, Mitchell spoke of his work on multispecies design—utilizing organic materials and biotech for a variety of commissions—including a concept that won the National Endowment for the Arts award. This project produced a scaffolding system that has a multispecies façade and an infill made from living wooded plants and clusters. These are grown and folded over a scaffolding that will eventually get removed, leaving grafted willows of multiple tiers that is architecturally sound and acts as what he terms a 'terrestrial reef.’
Brad Howe, RLA is a principal at SCAPE, a landscape architecture and urban design practice that utilizes diverse forms of design to connect people to their environments. He leads design teams for a number of large-scale waterfront and resilience planning projects across the firm—including the living breakwaters project on the south shores of Staten Island which was highlighted during his presentation. In an effort to make the New York harbor more resilient, Brad worked on a team to envision a new model of coastal adaptation—a layered approach that created a culture of resilience. Uniquely enveloped in the history of the NY harbor, this project required the team to fully understand the existing habitats. Simulations were run to understand how water would move around the breakwater structures and promote biological growth. Breakwaters in-and-of themselves are not a novel piece of infrastructure, but this project was unique in that it considered habitat in the design.
Nina-Marie Lister is professor in the School of Urban Planning at Toronto Metropolitan University where she founded and directs the Ecological Design Lab. Winner of the 2021 Margolese National Prize for design, she is a registered professional planner and landscape ecologist whose work connects people to nature in our cities. Nina-Marie examined Wildlife Crossings at Liberty Canyon—a project working across scales to “help wildlife move safely, where people must go safely, and where ideally we all have the freedom to roam” (an architectural project). This research was about more than human design, it was about how we connect and relate to one another differently. Her goal is to find a way to build roads differently; “we are on a literal, direct collision course with biodiversity,” Nina-Marie said, “we need to use new thinking and research to engage the design community to make structures that put nature on a path to recovery and reconnection.”
Following the project examinations, after a lively question and answer session, Dean Czerniak concluded by asking the panelists to provide a message of hope to our students.
“The built environment is full of opportunities that you can adapt, retrofit, fix. Part of the ego that we are trying to work around is the ego of wanting to be the sole author of a unique form, but if you step away from that, the entire built environment could be reconceptualized to be much more hospitable for biodiversity. As dire the situation is for other species, for architects who design for biodiversity, it could be a pretty attractive moment.”
- Ariane Lourie Harrison, PhD, AIA
“When I graduated, I would have never thought I would be presenting photos of harbor seals and crabs at a lecture or be a landscape architect working underwater. I think if I could give advice or just a message, it would be, ironically, to be a sponge and be open to other perspectives from other disciplines. I learned so much from coastal engineers and ecologists, and it's made me a better advocate for the work that we're doing. And it also when you come to the table with a collaborative mindset, you get so much more done. So, listen to your peers and listen to allied disciplines and work together.”
- Brad Howe, RLA
“When I started doing work on non-human species, ages ago, I in no way thought that I would be part of a panel, that it would in any way be part of a popular discourse. Even 10 years ago, one of the students who was working for me I think felt embarrassed to tell his parents what he was working on. He was like, ‘I'm in architecture school. I don't want to tell them I’m working on a bat house, you know?’ And so, I think it's really important as students to know that you might want to give up, because it might not be popular, but keep with it.”
- Joyce Hwang
“Learn to fail. You’re going to do it a lot, and you're probably going to change your career three or four times. I understand, especially now, how hard this field can be. But, you are designers! Educate your clients, be as good as you can, have a strong center and moral certitude.”
- Mitchell Joachim, PhD, Assoc. AIA (BPS ’94)
“Engage your creativity with compassion and with care for creatures more vulnerable than you, because when you do that, you can care about other people. People often ask me, ‘why are you spending all that time working with animals?’ It's a gateway to caring for other people, and our goal right now, collectively, must be to reduce human suffering and to build back better. That means doing things in the way our colleagues have just indicated, and it also means do no harm, build bridges, jump fences, be collaborative, but most of all do with humility.”
- Nina-Marie Lister