Friday, September 18, 2020
3 pm - 6 pm
A virtual event, Zoom meeting info provided below
Book Launch and Workshop
Race and Modern Architecture
A Critical History from the Enlightenment to the Present
by Charles Davis (M.Arch ‘02), University at Buffalo School of Architecture and Planning; Mabel Wilson, Columbia University GSAPP; Irene Cheng, California College of the Arts
Join Irene Cheng, Charles L. Davis II, and Mabel O. Wilson for a conversation about their new edited volume, Race and Modern Architecture: A Critical History from the Enlightenment to the Present (University of Pittsburgh Press, 2020).
From the foreword: "This volume offers a welcome and long-awaited intervention for the field by shining a spotlight on constructions of race and their impact on architecture and theory in Europe and North America and across various global contexts since the eighteenth century. Challenging us to write race back into architectural history, contributors confront how racial thinking has intimately shaped some of the key concepts of modern architecture and culture over time, including freedom, revolution, character, national and indigenous style, progress, hybridity, climate, representation, and radicalism."
Co-sponsored by Columbia University GSAPP and California College of the Arts
AIA continuing education credits pending
Irene Cheng is an architectural historian and associate professor at the California College of the Arts. Her current book project, entitled “The Shape of Utopia: The Architecture of Radical Reform in Nineteenth-Century America" (forthcoming, University of Minnesota Press) explores the geometry of architectural projects affiliated with anarchist, socialist, abolitionist, free love, spiritualist, and other radical antebellum movements. She is a co-director of the Race + Modern Architecture Project (R+MAP), an interdisciplinary research group that is exploring the influence of racial discourses on architecture from the Enlightenment to the recent past, and founding principal of Cheng+Snyder, a multidisciplinary design practice that seeks to instigate critical debates about politics, architecture, and the city. With David Gissen, Cheng is the a founding co-director of the Experimental History Project, an initiative of CCA's MAAD-History Theory Experiments (HTX) program.
Charles L. Davis II is an assistant professor of architectural history and criticism at the University at Buffalo, SUNY, a current member of the SAH Board of Directors, and the chair of the SAH Race and Architecture Affiliate Group. His book manuscript, Building Character: The Racial Politics of Modern Architectural Style (University of Pittsburgh, 2019) traces the historical integrations of race and style theory in paradigms of “architectural organicism,” or movements that modeled design on the generative principles of nature. He has published articles and essays in Architectural Research Quarterly, Journal of the Society of Architectural Historians, Harvard Design Magazine, Log and Aggregate. His current book project, tentatively entitled “Black By Design: An Interdisciplinary History of Making in Modern America” recovers the contributions of black artists in shaping the built environment from the Harlem Renaissance to Black Lives Matter.
Mabel O. Wilson is the Nancy and George Rupp Professor at Columbia University GSAPP and a professor in the African American and African Diasporic Studies Department. She is the author of Begin with the Past: Building the National Museum of African American History and Culture (2016) and Negro Building: Black Americans in the World of Fairs and Museums (University of California Press, 2012). With her practice Studio &, she is a designer/historian on the architectural team for the recently completed Memorial to Enslaved African American Laborers at the University of Virginia.